Sunday, September 30, 2007

My BBC Newsmaker Story: Amman's Emerging Music Scene

It was a Saturday night. I drove Rebecca back to her hotel after my first recording attempt at Yazan’s Rousan’s gig, and she was telling me “you just need to think of what the story boils down to, in one line.” I was stressed out and totally confused about how to bring my story into focus and figure out how to say what I wanted to say in FIVE MINUTES on radio! We only had four days to make this report… and to make it brilliant for the world to hear on the BBC World Service… "No pressure!" as Rebecca would say. "No pressure"… I kept telling myself.

Rebecca was the BBC producer sent to Amman to work with Sarah Al-Badri and myself on our Newsmaker stories. It was last March that a friend on mine told me about this Newsmaker competition, then I started seeing brochures all over town saying that two winners would get to produce their stories and them broadcast on the World Service. It was difficult to settle on an idea, but one amazing musician inspired me to look at Amman’s emerging cultural identity through music, and how musicians here are taking in all these world influences and making something that is “Ammani”.

All throughout the summer, after the competition results came out, I was getting an insider perspective on the music scene in Amman, and I was going to many concerts and shows, and trying to decide who I wanted to interview and what I wanted to include in the report. I was lucky that Rebecca came to Amman between the 8th and 12th of September, the time when the Prime Music Festival was taking place.

I went to record on the first night of the Festival, when Yazan Roussan was performing. I had fun with that recording experience. There was a touch of glamour to it, I must admit, walking through the crowd with a BBC microphone and doing vox pops with young Ammani's on what they think of the emerging music scene, and why they like Yazan’s music.

I managed to get a hold of Yazan for an interview after he finished the sound check and before he went on stage. I was excited at the answers he gave and kept thinking in my head what would fit in perfectly in my report… but the thrill faded away when he finished talking and left only for me to realize that the recorder was on PAUSE the whole time!!!!

"Classic mistake…" I just had to do it again, and it didn’t sound the same at all!

My vox pops also didn’t come out quite usable… the good ones had extremely loud background music that would be impossible to edit.

Those were not problems to worry about though, we still had time to record some more. My challenge was that something was missing. It seemed as though there were many ideas that could be brought into my story, and we needed to focus on one thing and try to bring it out to listeners.

Y gave me the inspiration I needed, and I suddenly realized what my mistake was; I kept telling Rebecca “Jordanian music” while in fact what I meant was something very particular about Amman. I realized that the center of my piece was my city, and the music played into that, not the other way around.

I was excited again, and ready to go do more interviews and make the most of that great opportunity.



Learning how radio journalism works was a brilliant experience; trying to think in terms of what people hear, the different audio bits, the way it is all mixed, what lines to choose, how to link it all together… and how people hear more than we think they do…

Rebecca kept telling us "when you smile, people can hear it". She also insisted on how everything needs to be authentic and real. The insights into Journalism ethics were very valuable.

I absolutely loved roaming the city's music scene for a week like a "rock star", talking to amazing young musicians about what it is they're trying to do, and not being able to hide my big grin when someone says the perfect line that I would register in my head for the editing choices to follow. Talking to Sign of Thyme during their rehearsal, talking to Ruba Saqr on her balcony overlooking the hills of old Amman, and recording my introduction up on the Citadel with a vast panoramic view of the city gave me so much to ponder.


On the technical side, I learned to pay attention to details; the background noise, the ways people say their sentences and how that would work with editing, making sure the recorder is NOT ON PAUSE!

More importantly, I learned that it involves making a lot of tough choices. It's funny how you get attached to your material, and can't bear to discard any of the bits that sounded really good to you.


I could go on and on. As you can obviously tell, I haven't entirely overcome my problem of knowing how to be focused in telling a story! But I must add that this experience made me love journalism even more, and made me appreciate radio in ways I didn't think I would. I think the fact that my little story about Amman's cultural identity through music will be aired for the world to hear hasn't quite sunk in yet, so I don't know what to say about that. I felt so lucky though, to have met the amazing Sarah and seen her story in the making, and to have had an absolutely wonderful "slave driver" that was tons of fun to work with, mentoring, motivating, and opening a window into a vast world of professional journalism that I hope to delve deeper into.

Note: This post is a longer and slightly modified version of the thoughts I shared on the BBC website. They edited it to make it shorter and “more focused” :) but this is the joy of having a personal blog!

Note II: The BBC website says that I work with a telecommunication company; this was the case when I won the competition and up until very recently. But I ended up quitting that job to pursue my real passion!


Listen to the finished report here.

Sunday, September 23, 2007

ATV bought out by new Jordanian investors??

Ammon News just reported that Moh'd Alayyan sold his shares in ATV to a company called "Wonders Investment Company" العجائب للاستثمار owned by two Jordanians; Mohammad Khaled Asfour, and Mohammad Saleh Abdul Baqi. Thus, financial and administrative rights over the channel are transferred to the new owners as of today.

I don't want to jump into conclusions. This story continues to make me sad and angry though! Who are these people who bought it anyway? Is the Audio Visual Commission suddenly going to let it go on air? Are they going to sort out the financial dispute with JTV over terrestrial broadcast? Too many questions... {sigh}

Sunday, September 09, 2007

Q&A with ATV Director Mohannad Khatib

Today, ATV employees return to work after a three week paid leave, which is likely to be extended, since there is no sign that the channel will be allowed to go on air anytime soon.


A few days ago I had the chance to talk to ATV director, Mohannad Khatib, for 7iber.com.

Check it out!



Thursday, September 06, 2007

Read Sultana!

Little did I know about Jordanian writers and novels that were for a long time banned in Jordan, until I worked on JO’s cover story for this month about Sultana – Ghalib Halassah’s controversial novel that ATV took to the screen (and that people are still not going to get the chance to watch because of… urrrgggghhh… that’s another frustrating story on its own!)

Sultana, as well as Ghaleb Halassah’s other novels and writings, was banned in Jordan until a few years ago. Reading it was quite an interesting experience for me; it depicts an aspect of village life that defies the norm, and then it takes you into Amman in the late 40’s and early 50’s, at a time of its political and social formation. The book is highly autobiographical, with the antagonist, Jeries, seen to represent Ghaleb himself… having grown up in the village of Ma’in before finishing his high school studies at the Bishop school in Amman.

I tremendously enjoyed talking to different people involved in the TV adaptation and the making of the series (except for the difficulty of getting a hold of Syrian actress Qamar Khalaf). For a while I felt like I was venturing into Ghaleb’s world, the unusual life he led, the coming of age, the political activism with the communist party, the persecution, the times spent in prison in different Arab countries, the exile, the different women in his life, the great years he spent in Cairo… up until he died in Damascus in 1989, right before the political environment in Jordan changed and the ban on his books was finally lifted. Talking to his 85-year-old brother was wonderful, as he and his wife shared all these stories about Ghaleb and the type of person he was.

Another interview I loved was with Ibrahim Gharaibeh (Al-Ghad columnist, and blogger) who was in charge of the dramatic adaptation. We discussed the adaptation challenges, how two other novels by Ghaleb were incorporated into the TV series, and how they tamed some of the socially “inappropriate” elements.

Even though Sultana does not appear a lot in the book, she represents some kind of connecting thread, and the early chapters about her childhood are fascinating. It's interesting to know that no Jordanian actress agreed to play her role, and in the end it was given to talented Syrian actress Qamar Khalaf.

It was exciting to see ATV’s commitment to make a purely Jordanian drama that addresses a critical part of Jordan’s history. It also left me thinking - how come I never knew about all these important Jordanian books such as Ziad Qasem’s novels (particularly “sons of the castle”), and some other important autobiographies that have a lot to say about Jordan in the early and mid 20th century.

I went to Abu Ali’s the other day to get some of these books. There’s this big novel by Ziad Qasem called “the tempest” (Al Zawba3a) which is in six or seven parts. Part two was missing. Why? Because it is banned… only part two. According to Ali (Abu Ali’s son) it contains detailed stories about black September. Censorship on books has eased up a lot in the past few years, but obviously, it’s still there.

So, back to Sultana… there is so much that I want to write about it here, but it’s mostly in the article, so go grab the September issue of JO. Yes, I’m using my blog for shameless self-promotion :) Seriously, get this month’s JO!

Monday, September 03, 2007

Big Sale at Prime Mega Store, & Great Music Coming to Town

Even though I dislike the mall, I really like Prime Mega Store… and I think I’m going to like it even more when Incognito, the independent Lebanese music label, takes over the music and DVD section starting September 8th. Incognito are dedicated to promoting underground and New Oriental musicians, from Lebanon, Syria, Palestine, Egypt, and Jordan.

This week, they have a mega sale on books, CDs and DVDs, up to 75% on some items… I can’t wait to check it out.

More importantly, between the 8th and the 12th, there’ll be a music festival at the Mezzanine on the second floor of Prime, during which Sign of Thyme will be launching their new album “Zad”. Ruba Saqr will be playing songs from her album which will be launched after Ramadan, and Yazan Roussan will be performing songs from his newly released album “Telifision”. Musicians and bands from outside Jordan include the amazing Syrian vocalist Lena Chamamyan, renowned Palestinian rapper from “Ramallah Underground” Boikutt, and many others. Here is the full schedule…

Saturday 8: Reggae / Electro
Yazan Al Rousan (Jordan)
Lumi (Lebanon)

Sunday 9: Rap & Hip Hop
Katibe 5 (Lebanon)
Boikutt from Ramallah Underground (Palestine)+ DJ

Monday 10: Classical Oriental
Mohsen Subhi (Palestine/Jordan)
Twais (Syria)

Tuesday 11: Oriental Jazz
Lena Chamamyan (Syria)
Sign of Thyme (Jordan)

Wednesday 12: Arabic Soul / Folk
Ruba Saqr (Jordan)
Itar Shameh (Syria)

All concerts start at 7:30 pm, they’re free but I think you have to get invitations or register online to be able to enter.